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Introduction of notes and rests (3)

Subjects covered:

• Introducing chords
• Dotted notes and rests
• Changing the note head - Reducing notes

Watch also the following videos:

• Introduction of notes and rests (1) (10'22) - Flash - Quicktime
• Introduction of notes and rests (2) (07'51) - Flash - Quicktime

Introducing chords [Light] [Beginner] [Professional] [Notation] [Composition Light] [Composition Pro] [Drums and Percussion] [Guitar] [Choir] [Keyboard] [Soloist]

In this lesson, we will continue to study various aspects of the encoding of notes and rests.

In music, a chord is simply a set of notes played at the same time. When using Pizzicato as well as many other musical softwares, the word chord is used in a more restrictive way:

A chord is a set of notes having the same rhythmic values attached to the same stem.

The notes of a chord are thus vertically superimposed and attached to the same vertical line (the stem of the chord). Here are some examples:

Let us see how to write this measure.

• Start Pizzicato and select the half note tool by typing "2" on the keyboard.

• Click to place the low D note.

• Open the Notes and rests palette. Select the tool. It is the chord tool.

• Place the cursor at the level of the A note, above the D note:

• Click. An A note appears. Now place the cursor at the level of high D, above the A:

Click. A D appears and is attached to the same stem. You have here a chord containing 3 notes. At this step, you could wonder why not simply use the half note tool and introduce the 3 notes in a superimposed way. By using the chord tool, Pizzicato attaches the notes and they will now behave as a unit.

• Select the half note again with the "2" shortcut.
• Move the low D slightly to the right: the full chord follows your movement. The notes are really attached together. It would not be the case if the notes were not introduced with the chord tool.

Like most tools, the chord tool also has a keyboard shortcut. It is the lower case letter 'a'. Let us complete the measure.

• Place the following notes to the right of the chord:

• Place the mouse at the level of high D, just below the F quarter note and type the shortcut 'a'. The chord is formed:

• Do the same to fill in the following chords:

To erase a chord note, it is the same as for a normal note. Select a note or rest tool and use the erase key with the cursor on the head of the note.

Two particular cases require some explanation.

First of all, the chord formed with whole notes. By convention, the whole note is a note having no stem. How can we then create a chord with whole notes? The principle remains nevertheless the same. Just place the first whole note with the whole note tool (shortcut '1') and place the others in superposition with the chord tool. There will be no stem connecting them but the notes will nevertheless move together. Do the experiment:

• Create a new document.
• Select the whole note tool with shortcut '1'.
• Place a C whole note.
• Place the cursor above the whole note, on the level of E.
• Type the letter 'a' with the keyboard. An E whole note appears. Complete the chord with a G note.
• Move the C to the right: the other chord notes also move. The same principle is valid for the double whole note (note value equal to 8 quarter notes) which has no stem either.

The second particular case is when the chord has two notes close together, for example G and F. If Pizzicato would draw the notes one exactly above the other you would get:

It is not very easy to read. The convention is to place one of the two notes on the other side of the stem.

On the second measure, place a G quarter note. Then put the cursor below the G, at the level of F and type the 'a' shortcut. An F appears but the G goes on the other side of the stem:

Pizzicato correctly manages the layout of the chords in that case.

Dotted notes and rests [Light] [Beginner] [Professional] [Notation] [Composition Light] [Composition Pro] [Drums and Percussion] [Guitar] [Choir] [Keyboard] [Soloist]

Let us see now how to lengthen the duration of a note or a silence by adding a dot to it.

• Create a new document and fill in the following measures:

• Open the Notes and rests palette. Select the tool.
• Click on the first F. A dot appears beside the note.
• Click on the F of the chord. The dot is automatically placed on the other notes of the chord.
• Click on the quarter rest. The dot is placed beside it. The measures become:

The shortcut keyboard for this tool is either the dot (.) or the comma (,). The numeric keypad of a keyboard always has one or the other, which gives an easy access when you keep your hand close to the note shortcuts. To use it:

• Select another tool (for example the eighth note) and place the mouse cursor on the E note.
• Type the comma or the dot with the keyboard.
• Do the same for the sixteenth rest. The selected tool did not change. The measures become:

• Put the cursor again on the first F. Type the dot or the comma, the quarter note is dotted twice:

To erase a dot, here is the procedure:

• Place the mouse cursor on the head of the first F.
• Click with the right button of the mouse. A popup menu appears. Select the Delete dot item. One dot disappears. By repeating that, the second dot disappears. The principle is the same for the rest, by placing the cursor on the rest.

Exercises

Here are two measures to write, so you can put into practice what you have just learned. Start each time with a new document.